The first ever 'James Hawkins Music Pop-Up Workshop Choir'
All singers are invited to join us for an exclusive vocal workshop at Jim's favourite recording studio, and learn about how performance can be enhanced via the process of recording.
Plus Special Guest Vocalists!
Saturday May 6th 2017
10am - 1pm or 3pm - 6pm
Thank you for an AWESOME DAY!
The Sessions and the Songs!
We were delighted to welcome Carol Decker, the fabulous vocal talent from '80s supergroup T'Pau who took the lead vocal in this session for Too Late Baby and gifted vocalist Alastair Griffin who sang lead on God Only Knows.
The cost of the recording workshop includes:
- All musical scores*
- Pre-recorded audio resources to help you learn your part in advance*
- All final recordings made will be yours to keep and made available exclusively to you approximately a week after the recording session**
- Sessions are open to those aged 16 or over only.
Frequently Asked Questions:
Why the National Archives?
The National Archives may sound like a strange place to visit to record a pop-up choir, but it has a brand new, large and acoustically treated events space, perfect for recording large groups of singers. As well as the room being well designed for this style and scale of teaching and performance, James Hawkins Music is now fully equipped to record choirs on location. This set up will give us an honest, undoctored play-back and a clear representation of our singing. The National Archives is also a stunning setting, and its brand new decor will lend a touch of class to the day helping to promote a higher standard of performance.
The recording environment has one very unique and important aspect, which helps us improve at a faster rate. This is the simple ability to play back our performance for instant feedback.
Working with Jim and our play-back we can produce much more fine-tuned feedback and specific feedback to enhance everything, from an entire performance, or single small fragments of bars. So we’ll be able to make improvements and keep improvements and raise the standard our singing overall.
Do I need to be able to read musical scores?
No, not at all. In advance, by e-mail we will send you audio recordings of the part you choose to learn along with copies of the musical scores. You’ll have plenty of time to listen and learn the part by ear. Plus Jim will assist you throughout the session and especially through any tricky bits. In our experience we find people enjoy having a musical score as a guide. Even if you don’t read music, you can follow a line up and down with an audio track to help you. We find it’s a wonderful stepping stone to learning how to read music in the future.
Will we have time to practise as a group before the recording session?
There won’t be a separate group rehearsal ahead of the recording session. But you will be sent complete audio recordings of each song part, and the musical score as a guide, well in advance of the recording day for you to rehearse individually. (These will be released no later than one month beforehand or, if you book a place after that date, they will be available to download from your confirmation email immediately). During the recording session, Jim will lead you through the songs in warm up and there will also be plenty of opportunity to record and re-record parts of the songs in isolation, if some tricky bits catch the choir out!
Must I have attended the JHM workshop first time around?
We welcome everyone who loves to sing! You don’t need to have attended before. Simply choose the session with the songs you like the best, or if you can’t decide, do both 🙂
Am I able to request a refund if I can no longer make the event?
No, we do not offer refunds. However, you are free to arrange for another person to take your place, and/or sell on your ticket if you need to. You may use our Facebook page to advertise any spare tickets if you wish.
Is there car parking available?
Yes, there is a large, free visitors car park at The National Archives, in Kew. Follow Sat Nav instructions to Bessant Drive and follow signs to the Visitors Car Park.
Can I take photos and videos on my mobile phone or other device on the day?
Yes, you can. We have purchased a full licence for us to record video and take photographs from our sessions. Please take note of the IMPORTANT INFORMATION section at the bottom of this page about how you may use this footage.
Are there disabled facilites and access?
Is there a dress code for the workshop?
No. You can wear whatever you’re comfortable singing in, as long as it’s decent 😉
Can I bring a non-singer as a guest to the workshop?
No. This is not a public performance. Tickets are available only to people who will be fully participating in each recording session. If you have special needs and require a helper, this is an exception, so please let us know and we will make arrangements with you.
The National Archives is open to the general public, however, and a guest can make a visit to the rest of the facilities if they wish.
Will the 3-hour session include a break?
No. Please prepare to be singing and recording for the whole three hours. Every minute counts and we’re going to be as professional as possible.
You will of course be able to use facilities before and after the session and we won’t stop you leaving the session if there’s urgency.
What time shall I arrive and where do I go?
After booking your ticket, we will send you an itinerary of the Workshop session nearer the time. This will include specific instructions for arrival and meeting points etc.
May I purchase a ticket on behalf of someone else?
Yes, you can. This is useful if you want to buy a Workshop place as a gift for a loved one, or if you want to book tickets on behalf of a group. It’s probably best not to make this a surprise gift though, as the attendee will need to practise and learn their vocal parts before attending.
The booking form asks for the name(s) of the person(s) attending the workshop, if it is different from the person booking the ticket. You will also be asked what voice part the attendee(s) will sing. The e-mail confirmation includes the E-ticket and is sent to the person buying the ticket, so you will be responsible for sharing those details with the attendee(s). Similarly the correspondence regarding preparing for the Workshop, with links to musical resources, will be sent to the person buying the ticket, so we ask you to share that to the person(s) attending.
*All musical resources, both audio and scores, will be made available to fully paid up participants no later than 3rd April 2017. Sharing these resources with any third parties is strictly prohibited.
** Date of delivery of recordings will be subject to mixing and digital preparation and may take longer than one week after the recording session. JHM reserves the right to deliver final recordings later than one week after the recording session and within a two-week period. In the unlikely event that JHM experiences unforeseen technical problems with the recordings, the delay will be longer and JHM will promptly communicate a new delivery date to all participants informing them of the expected delay period.
Participants own shared rights in the sound recordings only. By paying the participation fee of £57 to JHM, all sound recording owners automatically agree to not use the recordings for future commercial or charity release, re-sale, sync licensing, broadcast, online playlisting or any other known or unknown form of direct commercial online sales.
Any mass duplication and transference of recordings to CD, Minidisc, vinyl, tape, video, USB drive, hard drives, or other known or unknown hard-copy/media is prohibited.
All sound recording owners are only permitted to display and share recordings made on May 6th 2017 using www.soundcloud.com.
All sound recording owners are only permitted to embed soundcloud links into any personal websites and are openly permitted to use recordings for promotional and display purposes only. Recordings must not be sold.
*** Recordings can be uploaded to Internet sites with MCPS clearance only, such as www.soundcloud.com.